Unclaimed Experience: Trauma, Narrative, and History |
|---|
| La langue : Francaise - English |
| Filformat : E-Book |
| Date de publication : 1996-06-17 |
| Les éditeurs : Cathy Caruth |
| Disponibilité: en stock |
| évaluations: |
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Unclaimed Experience: Trauma, Narrative, and History. Baltimore: Johns Hopkins UP. Felman, S. (1992). Testimony: Crises of witnessing in literature, psychoanalysis, and history. Taylor & Francis. Ng, A. (2014). Visitations of the Dead: Trauma and Storytelling in Bao Ninh's The Sorrow of War. Storyworlds: A Journal of Narrative Studies, 6(1), 83 ...
C’est pour cette raison que Susan Brison conceptualise ce genre de trauma en tant que « violence 9 Voir Cathy Caruth, Unclaimed Experience : Trauma, Narrative, and History, Baltimore, The Johns Hopkins University Press, 1996, p. 3. 10 Jean Laplanche et Jean-Bertrand Pontalis, cités dans Régine Robin, « Traumatisme et transmission », dans ...
Caruth C., Unclaimed Experience : Trauma, Narrative, and History, Baltimore, Johns Hopkins University Press, 1996, p. 4. 15. Freud S., Métapsychologie, Presses universitaires de France, 2010 (éd. or. 1915). 16. Santiago Bolaños M., La canción de Ruth, Madrid, Bartleby, 2010, p. 101. 17. Freud S., Au-delà du principe du plaisir, Paris, Payot, 2010 (éd. or. 1920). Tr a u m a t i s m e e t ...
1 Traduction libre de « trauma as an indicator of social injustice or oppression as the ultimate cost of destructive social institutions » 2 Traduction libre de: «Memory counters or resists the ways in which history elides difference and forgets the heterogeneous. Postcolonial novelists seek to rescue previously overlooked histories and to ...
The layered nature of her narrative reflects then the superimposed strata of her traumatic background and the discontinuity of her fragmented account is linked to the very principle of traumatic memory because ‘if trauma is at all susceptible to narrative formulation, then it requires a literary form which departs from conventional linear ...
In these texts, this is accomplished through narrative structures that highlight the intermingling of past, present and future. I demonstrate that is it necessary for the reader to take part in a ternary engagement with the textu00E2u0080u0094aesthetic, historical and empatheticu00E2u0080u0094in order to understand more fully what needs ...
Cet article se propose d’analyser les rapports entre écriture et trauma dans “The Giant Wistaria” de Charlotte Perkins Gilman, une nouvelle qui revisite l’un des topoi de la tradition gothique : la maison hanté introduit avec humour un « trouble dans le genre », transformant l’histoire gothique en fable subversive sur la genèse de la nation américaine.
This paper seeks to explore the way in which trauma undermines the very possibility of a narrative while it makes it necessary. First, a review of the history of the concept of trauma and of trauma theories shows that it is the incomprehensibility of an event for a subject that makes it a trauma. This incomprehensibility is precisely what puts ...
Cet article explore l’écriture du trauma dans la nouvelle de Rick Moody « Le Manoir sur la colline », inspirée par la mort accidentelle d’une sœur. Les effets de la commotion, comme le clivage, le « faux self », l’après-coup et le réveil sont analysés à la lumière des réflexions théoriques de Freud, Lacan, Winnicott et Caruth.
2 In this article, I would like to focus on William Boyd’s The New Confessions and Pat Barker’s Regeneration, two contemporary novels reworking the past of the Great War through a permanent tension between emotion and irreverence, seriousness and irony, as if World War One needed to be re-examined through the particular lens of fiction, but without being treated in a wholly solemn way ...
However, my attempt to read Woolf’s description of ‘moments of being’ in relation to the etymological definition of ‘trauma’ does not engage with the questions of testimony, witnessing, or victim therapy which much of the ‘trauma studies’ critical literature focuses on (see for example Cathy Caruth, Unclaimed Experience: Trauma, Narrative, and History). Nor do I seek to consider ...
I received my copy from Bookhugger's Real Readers programme and the first thing to note is that the cover is absolutely stunning. The second thing is that the opening paragraph is one of the most enticing I have ever read. Unfortunately, after such a promising first impression, it falls a little
Postcolonial Studies : modes d’emploi Textes réunis et présentés par le Collectif Write Back Presses universitaires de Lyon Alessandro Corio Subalternité et représentation aux Antilles le devenir-subalterne de Marie Celat Ils vont encore proclamer je décline dans la folie pas un ne comprendra le mécanisme le tempo.
7 Cathy Caruth, Unclaimed Experience : Trauma, Narrative, and History, Baltimore, The Johns Hopkins University Press, 1996, pp. 61 et 62. Désormais les renvois à cette étude seront indiqués dans le texte par la mention UE suivie par le numéro de page. Je traduis.
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This new reading describes an interaction between European history and the histories of other peoples for whom the dominant discourse has a bearing. In the mode of polyphony, this reading produces a synthesis without reducing other themes to silence, giving them rather a new profile and allowing new narrative forms to emerge » (1994 : 39/48).
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A narrative of race inserts itself here: I would like to suggest that the exotic monkey becomes a metonym for colonized bodies of the territories during the Ancien Régime. This explicit blackness is an important signal, embedded in a narrative of animality, much in the same fashion that the colonized body was treated in the same manner as the animal—purchased, collected, displayed, and ...
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The possibilities for dignifying the lives of survivors from any restitution funds that are unclaimed from communal property, insurance policies, bank accounts, and other assets are endless. The German pension system provides their Waffen SS with at least a two-to-four-week vacation at a spa every year. Why can't those who make the decisions ...
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